Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Maktstrukturernas rötter I musikindustrin
Blekinge Institute of Technology, Faculty of Computing, Department of Technology and Aesthetics.
2017 (Swedish)Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
Abstract [sv]

Vi verkar i en musikindustri där de med makt får mer makt och de utan makt får ännu mindre makt. Musiker och producenter är vårdslösa i sitt medskapande av industrin genom att jaga kändisskap och uppmärksamhet vilket skapat kryphål för affärsverksamheter att ta etiska ställningar om de vill utnyttja det eller inte. Dessa socialkulturella normer och moralstrukturer kommer till ytan genom att ifrågasätta bland annat när en musiker “lyckats” och vad en musiker är och ställa sig frågan varför. På så sätt utforskar vi gråzoner i våra kulturella värdegrunder. Eftersom musikindustrin växer rhizomatiskt kommer jag kartlägga och synliggöra vad som utgör de maktstrukturer som existerar, därefter kommer jag med rhizomatik och experimenterande design som metod utforska flyktlinjer i form av en musikproduktion där vi rör oss mellan maktstrukturer i alla dess former.

Abstract [en]

We operate in a music industry where the ones with power get more power and those with  less power gets even less of it. Musicians and producers are reckless in their co-creation of the industry by hunting attention and fame which have created loopholes for businesses to make ethical decisions if they want to exploit it or not. These social-cultural norms and moral structures floats to the surface by questioning, among other things, when a musician have “succeded” and what we define as a musician. In that way we explore the grey areas in our cultural values. Since the music industry grows rhizomatically, I will map and highlight what constitutes the power structures that exist, therefore I will use rhizomatics and experimental design as methods by exploring lines of flight in the form of a music production where we move through power structures in all of its forms.

Place, publisher, year, edition, pages
2017. , 35 p.
Keyword [sv]
Feministiskt Teknovetenskap, Blekinge Tekniska Högskola, BTH, Rhizom, Experimenterande Design, Jan, Mikael, Govasli, Makt, Maktstrukturer, Maktstrukturernas, Rötter, I, Musikindustrin, Musik
National Category
Media and Communication Technology
Identifiers
URN: urn:nbn:se:bth-15142OAI: oai:DiVA.org:bth-15142DiVA: diva2:1141770
Subject / course
ME1588 Kandidatarbete i Medieteknik, 30 hp
Educational program
MEGDL Digital Audio Production
Supervisors
Examiners
Available from: 2017-09-26 Created: 2017-09-15 Last updated: 2017-09-26Bibliographically approved

Open Access in DiVA

BTH2017Govasli(389 kB)20 downloads
File information
File name FULLTEXT01.pdfFile size 389 kBChecksum SHA-512
cabfcf19eb84cc0cb78b09432ac678284ff3cbb588d38821b3e1b75d0368468bcda28d9bcf3c99b837f188b3fe9e55ec42626e7a137b8cb08fec18f7e88b09bc
Type fulltextMimetype application/pdf

By organisation
Department of Technology and Aesthetics
Media and Communication Technology

Search outside of DiVA

GoogleGoogle Scholar
Total: 20 downloads
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

Total: 22 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf